Explore the cinematic memory palace, curated by Cinema Sage
"Welcome to Row Lambda, darling cinephile, where every reel is a séance, and every frame holds a secret for those who linger. Listen closely… the archive remembers you."
— Cinema Sage
Showing 3,930 films
(Page 30 of 164)
Dead Above Ground
2002 • 1h 30m
Dir: Chuck Bowman
Dead Again
1991 • 1h 47m
Dir: Kenneth Branagh
Dead Alive
1992 • 1h 44m
Dir: Peter Jackson
Dead Birds
2004
Dir: Alex Turner
Dead Doll
0 • Runtime 1 hour 31 minutes
Dir: Director Adam Sherman
Dead End Drive-In
1986 • 1h 32m
Dir: Brian Trenchard-Smith
Dead Man
1995 • 2h 1m
Dir: Jim Jarmusch
Dead Man's Shoes
2004 • 1h 30m
Dir: Shane Meadows
Dead Poets Society
1989 • 2h 8m
Dir: Peter Weir
Dead Presidents
1995 • 1h 59m
Dir: Albert Hughes
Dead Ringers
1988
Dir: David Cronenberg
Dead Silence
0 • Runtime 1 hour 29 minutes
Dir: Director James Wan
Dead of Night
0 • Runtime 1 hour 28 minutes
Dir: Director Bob Clark
Deadfall
0 • Runtime 1 hour 38 minutes
Dir: Director Christopher Coppola
Deadly Friend
0 • Runtime 1 hour 31 minutes
Dir: Trivia Director Wes Craven and screenwriter Bruce Joel Rubin's original vision for the film was a PG-rated supernatural science fiction thriller, with the primary focus being on the macabre love story between Paul and Samantha, as well as a secondary focus on the adults around them and how they are truly monsters inside themselves. Craven filmed this version of the film and Warner Bros. decided to screen it to a test audience mostly consisting of Craven's fans. The response from fans was negative, criticizing the lack of violence and gore seen in Craven's previous films. The studio eventually discovered Craven's popularity as a horror film director. The president of Warner Bros. at the time, Mark Canton, demanded Rubin write six additional gore scenes into his script, each bloodier than the last. Rubin worked very hard with Craven to create a very deep and heartfelt movie out of it. Unfortunately, added gore scenes, re-shoots and post production re-editing of the movie heavily changed the original story. Craven and Rubin expressed strong anger at the studio and thus disowned the film.
