🍎 Snow White (2025) Is Just Fine

A fairytale, reclaimed—not ruined.

There’s been a lot of hand-wringing over Disney’s Snow White (2025)—most of it loud, reactionary, and rarely grounded in the actual experience of watching the film. So let’s say it plainly, and for the record:

It’s just fine.

Not flawless. Not revolutionary. But also not broken, not disrespectful, and certainly not the cultural collapse some corners of the internet insist it is. In fact, it’s often beautiful, occasionally stirring, and at its core—earnest in a way big movies almost never are anymore.

---

🎬 What the Film Actually Does

Snow White (2025) is a musical reimagining, not a remake. It keeps the bones of the original: a young woman forced into exile by a vain and cruel Queen, the forest, the fellowship of magical beings, the confrontation, and the return. But it also gives its heroine something the original never did: a perspective of her own.

Rachel Zegler’s Snow White isn’t waiting for a kiss or a rescue—she’s trying to figure out how to lead, how to heal, and how to do something meaningful with the love she still carries for the world. The agency isn’t forced—it’s the story finally catching up with itself.

---

🎭 Performances: The Real Talk

• Rachel Zegler is one of the film’s greatest strengths. Her performance is poised and sincere, and she sings with a clarity and control that lifts the material.

• Gal Gadot, meanwhile, looks stunning (the costume department had a day), but her Evil Queen feels more stylized than lived-in—like a magazine cover that forgot to turn the page.

Their dynamic doesn’t crackle, but it works. This isn’t a battle of titans—it’s a battle of ideals, and the film wisely keeps the emotional focus on Snow White’s growth, not just villainy for spectacle.

---

🎶 The Songs Hit (Mostly)

Original tunes by Pasek & Paul bring a modern musical theater energy.

• “Waiting on a Wish” is tender and melodic.
• “Princess Problems” is the real standout: a cheeky, subversive number about rejecting ornamental expectations of femininity.

Let’s be honest—“Princess Problems” is aimed directly at the very people who are angry this film exists. That alone makes it worth hearing.

---

🪞 The Discourse Is Louder Than the Film

Most of the criticism swirling around Snow White (2025) has very little to do with the film and everything to do with:

• A Latina actress in the lead
• Reimagined dwarfs who don’t fit nostalgic molds
• A heroine with autonomy, not just innocence

The MAGA crowd has Princess Problems, indeed. And the movie answers them with songs, story, and sincerity—not outrage.

---

🧾 Final Verdict

Snow White (2025) is just fine.
Not a game-changer.
Not a disgrace.
Just a solid reimagining of a story long overdue for reflection.

It sings.
It stumbles.
It believes in kindness as a strength.

And in a media landscape that too often shouts instead of sings,
that feels like a small kind of magic.

---

Filed Under: Row Encore Modern Musical Revival Myth Reclaimed Re-Imagined Fairytales
Tags: rachel-zegler pasek-and-paul snow-white-2025 fable-subversion politics-of-princesses not-as-bad-as-the-internet-says